Jay Watson

Revisit: Grant Brittain

March 9, 2010

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Grant Brittain lives in Encinitas, CA and is the chief photographer and part owner of The Skateboard Mag. He is also an editorial legend, spanning 3 decades of skateboarding history for numerous magazines, yet his work is not tied to just the skate genre. Grant shows his work often in gallery shows, guest lectures, shoots personal work, landscapes, and is a strong portrait photographer.

The Untold True Story once asked GrantWhat’s the difference between shooting the Bones Brigade Chin Ramp and say, Gonz during the early nineties or Kerry Getz in this decade? Grant answered by saying:

“The photos are basically the same, back then, you could shoot just about anything and it could get in the mag. Now, it’s the Trick of the Week, acceptability of the trick is a bigger factor. Stuff gets old fast. It’s a One Up contest and now a video part can pretty much out date a sequence in a mag. Timing in the mag is everything, gotta get it in the mag before it’s on video, TV or the Internet. Magazines are up against those other media sources now.

I grew up with Grant’s images so naturally he was an influence on my my desire to become a photographer. Last year I interviewed Grant for a post on my website and was able to visit him at “The Mag” in December for a portrait shoot. Since Grant is both a photographer and a magazine publisher, I asked for some words on today’s publishing biz with the Q&A below.

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How is The Skateboarding Mag dealing with the changes in the economy and changes in the publishing industry?

“I think we are able to cope with the whole downturn in the economy a little better than the corporate magazines. We can make snap decisions and tailor the magazine to our economic needs. Corporate entities usually cut staff, we can’t do that, we already run on minimal staff and we would have to lay ourselves off, we’re the owners, so I guess we aren’t going to do that. We run everything pretty lean and smart.”

Many publishers are feeling the pressure to shift their printed media over to an online format? How are you balancing the two mediums right now?

“It’s (the internet) great for publishing and documenting news. That’s one of the reasons we decided not to run that many contests in the mag. By the time we run them in the mag, they are old news. We try to use our internet site to show events, video clips, links to our advertisers and non-advertisers, press releases and other time sensitive overflow from the magazine. There are some things that the printed mag can do and can’t do and the same with the web. Used correctly, I think that our site can only serve to enhance the printed side of the magazine…We are not a news outlet as far as the print side goes. The Skateboard Mag in printed form is more about entertainment and the lifestyle, the content we run can be looked at and enjoyed and collected for years to come.”


Losi at Del Mar. photo by Grant Brittain

Layback Air by Allen Losi, 1984. Del Mar Skate Ranch. photo by Grant Brittain

If magazines do evolve to a strictly online format, how do you foresee revenue to be generated? Online subscriptions? Online advertisers?

“As far as advertising and selling subscriptions to the Internet site, that’s a hard one. Selling ads on a website can be a hard sell. Some advertisers are not all that web savvy, so they don’t see the value of running an ad on a website. Web users are used to getting everything for free and are hyper web savvy, if they have to pay for the information, they’ll just move on to a free venue. If a magazine wants to try to sell extra online features, archived material, poster downloads, etc., that might be a way to bring in extra revenue. As it stands now, advertising on the site (www.theskateboardmag.com) pays for the site, otherwise it’s being subsidized by the Printed Pub. It’s all open out there and a big gamble.”

Considering the pressure on printed magazines and newspapers, how are you able to keep your magazine relevant in today’s market?

“We will continue to publish our magazine. Magazines are and have always been a large part of skateboarding. It’s still a big deal for skaters to have their interviews and photos in a magazine. Anyone can be on the internet, good or bad. Magazines are usually better quality than the internet and you plaster your walls with the mag photos.”

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Another short interview of GB was posted at Skate Infusion here. Thanks for the words Grant. Much appreciated friend.  – JW

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Drift Surfing: Manuel Caro

February 25, 2010

Drift Surfing ran a nice piece on surfboard shaper Manuel Caro over here. Manuel’s workspace is located at Moonlight Glassing which is just outside Encinitas, CA.  Andrew Smith did the interview for Drift and the very well rounded Ed Fladung busted out his art direction skills and classy shots of Manuel’s shaping bay. Below is the portrait shot and two outakes I did for the piece.

www.driftsurfing.com

www.driftsurfing.com

Surfboard shaper Manuel Caro for Drift Surfing.

Surfboard shaper Manuel Caro for Drift Surfing. photo by Jay Watson

Intro: Work Versus Play

February 3, 2010

Hey readers! Just wanted to say hello and introduce myself to E&I. I am looking forward to sharing with you some of the things I encounter. As a photographer I have always been torn between being part of the media who covers things I am interested in versus being a participant. I would much rather compete in a bike race than shoot a race! However, participation leads to inspiration. Even though there are times I should be working, I find that my time skating and surfing are really part of “my work.”

Participation also involves sharing which is why I am here. Lately I have been able to meet and photograph some inspiring and influential people in my life and in the industry. Pro riders, pro builders, manufacturers, shapers, and artists. They are the real experts. I am just here to share some of what has rubbed off on me.

Someone once said, if you do what you love for a living then it is not work at all. It is not always true, but we need to remember this core message. If you are working too hard right now and feeling burnt, then go get recharged! Get back in the water, get back on your board, or back on two wheels. Get back to the thing that got you here in the first place. For me, it was important to bring my personal life into my work, but maybe some insiders need to put their work back into their personal life. Go ride! Even if it is just a few hours of freedom, you deserve it.

Taken while at play and while at work. San Onofre, CA

Taken while at play and while at work. San Onofre, CA

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Jay Watson is a freelance photographer based out of San Francisco. He specializes in lifestyle and portrait work on location for editorial, advertising, clothing, entertainment, and action sports clients. A surfer and skater, Jay's work is inspired by California's rich culture, both past and present.

Twitter @ExprtsAndNsidrs